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This is a reprint
of the San Francisco Accordionaires November 2007 Newsletter.
LET THE MEETING
BEGIN
Mario Pedone was
hooked up and ready to give the Accordionaires a great concert. Mario
brought dozens of CD’s and music books he has written. Sales were brisk
before, during and especially after his performance. Our members were
inspired to emulate the outstanding technique Mario displayed all
evening. Mario performed for just over two hours. His only break came
when the police temporarily interrupted the meeting to ask us to come
outside to see if our cars had been hit by a suv that had jumped the
curb and sheared off the fire hydrant at the corner of Victorio’s
parking lot. The flying suv hit three parked cars, but none were from
our group. After that bit of excitement, Mario was playing for us again.
Mario used an
Excelsior Symphony Grand, which he played to perfection. This is a great
accordion and in his expert hands the result was perfection. His
presentation took two forms: playing with CD background, and playing
solo. As you know from the biography you read in last month’s
newsletter, Mario used the piano and keyboards extensively as a
performer. Over time he learned to record his own multi-track
accompaniment, which could be used with the accordion or other
instruments. Parts of Mario’s performance this evening featured the
recorded orchestral background as he took front stage live with the
accordion. The result was extremely enjoyable. Unlike simultaneously
using a midi module, Mario’s method produced a very realistic,
orchestral presentation. Mario used our Club amp for the cd
accompaniment and a separate amp for his accordion. By having the
accompaniment separate (recorded on the cd) he was able to enhance the
effect of the accordion or the background independently just as would
have occurred in a live band performance. “Feeling” and “expression”
were two terms everyone mentioned after hearing Mario.
Additionally Mario
had everyone craning their neck to watch him play. His command of the
keyboard was simply outstanding. Slow, medium or lightening fast, his
fingers were right on target all the time. Mario also interchanged
melodies from the bass section and the treble keyboard. Much of his bass
work was very reminiscent of Nick Ariondo—his fingers were everywhere on
that bass-board. Further enhancing the evening, Mario played selections
of all types: Latin, French, polkas, ballads, marches, and waltzes—you
name it, he did it.
Here is a partial
list of the many songs Mario performed this evening:
·
French
medley.
·
Polka
medley, Swedish, American and Polish ( with these songs you realized
that this man plays a piano keyboard with the same speed we expect from
a button accordion).
Using his Ketron
keyboard recorded in four or five parts onto a computer track and
accompanied live with his Excelsior we heard:
·
Have I told
you lately that I love you.
·
Orange
Blossom Express.
·
La Paloma
de Noche.
·
Accordion
solamente.
·
Granada
(reversing the melody line onto the bass with harmony coming from the
treble keyboard).
·
Estudio d
minor and the
·
Woodpecker
Song (Expression and double key mastery throughout these pieces).
This time a
combination of accordion solo and CD accompaniment:
·
Medley
including Hava Nagila.
·
Zorba's
Theme.
·
Petticoats
of Portugal.
·
Espana Cani.
·
And a
tango, and a waltz, and a Latin waltz with Siboney as the finale (Rhythm
variations, keyboard cross-over, and double-key action all contributed
to this knock-out group).
After a short
break Mario was back with his grand finale:
·
La vie en
Rose.
·
I’ll Love
You Today-I’ll Love You Tomorrow.
·
Czardes –
Monti.
·
Santa
Lucia.
·
German
Songs.
·
Hofbrau
Haus drinking house Munich.
·
Du Du
Liebst mir im Herzen.
·
Beer Barrel
Polka and in a final shift of mood…
·
Diamonds
Are Forever.
Numerous Club
members have called to express their appreciation for Mario’s
outstanding
performance. Pat Striplin reported that Mario had a super night selling
his CD’s and books. Without a doubt the Accordionaires know quality when
they hear it. Mario, thanks for coming, and please come see us again!
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